Life is a great gift and every single day has a bunch of new opportunities, – tempting and waiting for us to explore them. Olga and I – each of us was carried away in a new direction. Olga continues her researches with fabrics (photos below) and I am inspired to combine classic ancient technique of mosaic with tumbled glass.
The image on the right is about 24 inches high and it was the first anthropomorphous mosaic piece. This was a totally new experience of combining traditional technique of little tesserae with larger irregular pieces of tumbled glass, but I feel that it helps to enhance the power of the image. This work itself brought me a bunch of discoveries about art principles in general. and it did not come out exactly what I expected, but it taught me a lot of new skills and drills.
The process itself – dealing with pure colors, textures, and rhythm is incredibly inspiring and we hope to continue sharing it at our website and a designated Mosaic Instagram account. The research is continued and there I am sure that the next one will be better.
Now it is 10 years since Olga started volunteering at our parish embroidery studio. She was invited to make drawings and to set up the integrity of the vestments, choosing appropriate fabrics, threads, stitches, and other details. After drawing, projecting and planning several vestments Olga decided to make some herself, applying a wide range of printing techniques on traditional hand-made fabric. The image on the right is a pair of orthodox banners (Khorugvi) with the central part made by Olga and frame with hanging parts produced by Yaroslav Starodubtsev’s team.
Inspired by immense possibilities Olga continues to work on other projects, similar and larger. If you wish to keep an eye on the process, it may be a reason to subscribe – the photos are posted as the work goes on.
P.S. If you feel your church or home might need a liturgical image on fabric or a mosaic, commissions are accepted with a great pleasure 😉
3. PHOTOGRAPHS OF THE WORKSHOPS
In August – September we have had 4 workshops: 1 in Italy and 3 the US. It’s been a challenge to set up so many different programs and to make so many trips, – but (glory to Our Lord!), all went well.
Now it’s time to choose new models for the new workshops for the next year. It’s very likely that we are going to have some iconography workshops in different locations and a new thing -a true fresco workshop in Wesley Seminary in June 2019. Planning is a hard and a long work, but we promise, – as soon as we have any news we will share them.
In the meantime, 2 of the 3 of our announced workshops in Melbourne (Australia) are full, and there are only a few spots left for the last one, which is dedicated to assist gilding.
4. COLOR CHARTS
As promised, I visited the Kremer store in NYC and finally publish a color chart, – scanned from my own album of charts. I hope to publish more next time and make a kind of a palette eventually, but now I only share our favorite colors, – the most complex and rich. Yes, these are the colors we used and mentioned at all of our workshops earlier this year. These pigments for us are the most interesting now because they contain shades of different colors and therefore wonderfully “complete” other possible colors used in the image.
In CAPITAL letters I wrote the number (if any) and the name of the brand, and below – “commercial names” of the pigments.
I checked the names with online catalogs of KREMER , KREIDEZEIT and ZECCHI, and I was really happy to discover both Verdaccios – it’s on the list again!
5. BIBLIOGRAPHY FOR ICONOGRAPHERS
It’s been a while we promised to publish a Bibliography for iconographers. It was still January when we received two lists from two very dedicated iconographers, who’s names I should probably not list for the reason of privacy. Since that time I always wanted to take my time to review and make a long list myself, but – yet did not make it. Well, let’s make it a “collective mind” project, – like the “Manual“, which is made together as well.
Therefore I hope, that this current version of Bibliography (available at http://sacredmurals.com/texts/bibliography.pdf ) can be taken as a little base for an extensive development.
We invite you and all our subscribers to share with us the titles of your most favorite books so we add them and share with everybody. Please consider, that these should be most decent and serious studies, as well as uncomplicated and well reasoned original books. They should help people to enter the world of Christian iconography and to see right benchmarks and values right from their very first steps.
We also plan this to be a hub for professionals to share and obtain information about the best texts, helping to understand their work in a deeper way.
6. ILLUMINATED MANUSCRIPT
As you probably know, I love sharing resources. This time it’s a IX century English manuscript, known as “Harley Golden Gospels”, digitized in British Library. Click the link: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Harley_MS_2788 , click the “empty page” and use little arrows on the top right to navigate. Hope you find something for inspiration!
Wishing everybody lots of creative energy and time for it!,
With warmest regards,
Philip (and Olga)