Tumbled glass – Sacred Murals Studio Newsletters

Cappadocia + Call for Exhibition

Newsletter 20 November 2019

Dear friend,

How would you call a state of mind, when you have just unloaded a large project from your brain?

What are the most appropriate words?

Mine are the emptiness and freedom, and when they are together, it’s a state of inspiration. Well, I did not finish the church interior 100%, and yet I can only share photographs of mosaic details but at least there is nothing I can do with it right now, – time to start painting icons again, – time to do a commission I promised to make more than half a year ago. It’s st Victoria of Ephesus and I hope it will be ready by the new year…

After finishing with the Epitaphios Olga has started several pieces of research, getting back to egg tempera, relief gesso and experiments in relative materials… Hope in the next issue we both will have some completed icons and will have some newest icons to share… Icons and other images inspired by…

Cappadocia:

When it comes to Cappadocia, we just can not help it. We both fell in love with this little piece of land, the motherland of St Basil the Great, St John Chrysostom, and St. Gregory the Theologian (known as the Great Cappadocian Fathers)… Every time we come there, it’s an overwhelming dose of adrenaline, excitement and continuous brainstorming, caused by the desire to understand these local artists, to get what made them so great and so free at the same time.

The most surprising thing, when you come to Cappadocia, is the fact, that you are surrounded by beauty. It’s everywhere: rocky landscapes and painted cave churches…

There are some painted cave churches, where you need to buy a ticket to enter, but there is also a number of churches with X – XII century murals with totally free access, you just have to know how to find them. In Cappadocia it’s not an easy thing, because the maps and tourist schemes in the valleys have faded (most of them), and maps from the Tourist Information offices are so approximate, that they only provide you with very rough coordinates. And even locals sometimes can not help you. This makes even more valuable an opportunity to find a painted X century church just by yourself. Sarnic kilise (“Cistern church” from Turkish) is a good example of it – we only found it on our second try.

Here we publish some photos of it, all in one album – Sarnic Kilise , – hope they give some idea of this tiny-tiny little church…

The Workshops:

The 30th of November we most likely will have to close the registration for the Icon Painting Workshops in Melbourne. If you are waiting for the last moment to sign for any of them, it’s time to act.

In the meantime, the boards for the workshops are ready, they are on their way to our Studio. The boards for “Our Lady Igorevskaya” workshop are 30 * 25 cm (12 * 10 in) with raised edges, the Crucifix boards are 50 * 37 cm ( 20 * 14 in). As always they are made from solid linden wood, but these particular boards have no raised edges, to give more freedom and possibilities for drawing.

Besides, we have a narrow and specific proposal for those, who may happen to be in Saint Petersburg in February: some weeks ago we have been inquired if we could teach relief gesso technique, which made Olga’s works so special on New Valamo icon exhibition “Saints of Undivided church”. We agreed to make a series of 4 half-day sessions 17-20 of February 2020, and if you are interested to read about this “Relief Gesso Workshop in Saint Petrsburg (Russia)”, please see a special page: http://sacredmurals.com/relief_gesso_workshop.htm .

The Exhibition:

Another note for those, who can bring or ship one or more artworks to Melbourne: – exactly like in previous years, we invite our students and friends to participate in the Exhibition “Visions of Beauty-2020”!

Here we have to mention, – even though this exhibition this time will be organized for the fifth time,
last year we had a very unfortunate incident, when a wonderful tiny copy of Hans Memling, made by a Melbourne-based iconographer was stolen.

This year for the time of the exhibition and workshops we are going to remove the temporary wall between the gallery space and the class, hoping that nobody will dare to steal in front of a class, but yet we have to give a little piece of advice: please, bring large pieces if you can!

The topic is wide – Christian Religious Art. We invite icons as well as other religion-related images. We can not guarantee we accept all the images, but especially if you bring a large size artwork, we will most likely include it in the show.

Exhibition address is the same, – ACU Visual Arts Space, 26 Brunswick Street, Fitzroy, Victoria. Upon your arrival, please wave in front of the window or knock the glass door of the Gallery to be noticed.

The installation is scheduled for about midday on the 11th of January 2020. Together with our students and friends, who come for the installation, we will select the best ones and mount them. If you think you may have some spare time, any help will be appreciated.

For those, who want to participate, here is a little hint: the flyer was not made yet… Well, here is the point: this time we are counting on you.

Please email us the photographs of the works you wish to show, in high resolution and we will choose the best ones to be put on the flyer.

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P.S. Occasionally found in our Newsletter of 2016 a link to the photographs of some of the churches of Istanbul,- Aya Sophia and Kahrie Jami .
Thought you may like them, if you missed:
https://www.flickr.com/…

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Thank you very much for being our valued subscribers!
If you have amoment, we would greatly appreciate if you let us know, which for you is the best and preferred type of news, and which you think can be lift unpublished.

With warmest regards,
Philip Davydov and Olga Shalamova

Australia Rules!

Dear Friend,
We have some workshop announcements but … I can’t help it!

First I shall praise our colleagues and friends Australian iconographers! It’s an unbelievable coincidence, to have so many events in a row, but they are all the fruit of much long and hard work. CONGRATULATIONS! And here are the reasons for such praise (in the chronological order the news reached us):

A Celebration of Living Light. Exhebition and a Reception

First: an Exhibition and Reception “A Celebration of Living Light” at the Mercy Mission, Spirituality and Action Hub in North Carlton, Victoria. The exhibition was attended by a large number of Sisters and guests. The work of four Australian iconographers: Margaret Broadbent RSM Margaret McHugh RSM, Pauline Pervan RSM and Mrs Alice Vaughan.

We know that it took a very long time to get everything ready, but we are happy to hear that all went well. The photographs and a video are available here.

Icon exhibition Images of the Divine in Canberra. Sue Orchison (in red) who organised things, Richard Charlwood and Apostolic Nuncio, Most Reverend Adolfo Tito Yllana. — **Icon exhibition in Canberra. Sue Orchison Richard Charlwood and Apostolic Nuncio, Most Reverend Adolfo Tito Yllana.**

Second: About 80 people attended the opening, and several hundred guests in total saw The Images of the Divine, an exhibition organized by Sue Orchison displaying the work of 17 iconographers. 70 icons were produced and shown at the administration centre of the Archdiocese of Canberra and Goulburn, Australia. Some photographs from the opening are available on Sue’s Facebook Page, and her speech can be seen and read on her website: https://www.thelittlegate.com/

We are very happy and proud of our friends and students’ progress. Olga and I both appreciate and know how hard it is to progress and move forward so successfully!

Eastern Iconography in the contemporary Protestant West

Third: this news is less visual and rather verbal. However, we consider it may have great importance for all of us, especially in the long run.

This morning I received a letter arrived from Peter Blackwood, Australia. He was invited to a conference where he gave a lecture: Eastern Iconography in the Contemporary West. Peter kindly agreed for us to share the text of his speech on our website. It has been added to our text collection and we hope you will gain some important insights and knowledge from it.

Fourth: future workshops

The first ones will be in Italy. Continuing on from last year’s “Corso di Perfezionamento” there will be two courses at the beginning of September. The first one is for those who have professionally worked in iconography for a number of years, and the second one is for other students who have just started on their journey in iconography.

It’s been almost 20 years since I last went to Italy as my father’s workshop interpreter and assistant, and it came around again! Last year I was contacted by some of his students who want to continue their education. I attempted it last year as a special challenge – to figure out the most crucial problems, and share the solutions with the “veterans”, who know almost everything. But what inspires me is that, even though they are so experienced, they are still open and still want to learn!

The US workshops are steadily filling up, and it looks like we are going to have both groups in September. At the New Skete (with the icon of “Angel with Golden Hair” as the chosen image) and at the Holy Cross Monastery in West Park, where we will continue a series of lectures on icon drawing.

At last, but not least, finally … so late, what a shame!! we can announce our January workshops in Melbourne!

Icon of Our Lady Igorevskaya for Icon Painting Workshop

We are really sorry for the delay. However, it took us a while to figure out what should be taught to people, who organize their exhibitions and lead their own icon schools all over Australia!

After discussing possible topics, and trying to find the answer for months, here it is:

The first one (as always) will be open to everyone. The chosen image is the icon of the Mother of God “Igorevskaya”. This means that students will have to study and paint two large faces, but we feel this is doable.

Model for Icon Painting Workshop Image of Crucifix

The second will actually be a double one. It is has been chosen for those students who have previously painted icons.

We have to confess, it’s for the first time ever that we have decided to make a workshop as a two-session series with one model, and we are very excited about this.

We will use an image of the Crucifix for painting an icon of the Crucified Christ without other figures. However, both sessions are planned to include many studies and research results, so we are sure it will be a fruitful time.

The plan is to work seriously, i.e. with lots of investigations and routine discoveries, so that the whole workshop could be experienced as a real immersion in a professional iconographer’s work. Please share this opportunity with others you may know who would like to join us.

The gessoed boards for the workshop icons will be made in the form of a cross. We have planned this so that these icons, when they are finished and varnished, can be used for church or personal veneration. We believe it will be a valuable practice and inspiration for everybody.

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To finish all the practical news, we will only share one tumbled stone and glass mosaic image as our fresh “production”. It’s a small section of a future iconostasis decoration by Philip Davydov. Other images are still in the planning stages.

Olga and I are both immersed in extensive projects which should be finished within several weeks or a couple of months.

Thank you very much for being our valued subscribers!

With warmest regards,
Philip Davydov and Olga Shalamova

08 November 2018

Dear Friends,

Life is a great gift and every single day has a bunch of new opportunities, – tempting and waiting for us to explore them. Olga and I – each of us was carried away in a new direction. Olga continues her researches with fabrics (photos below) and I am inspired to combine classic ancient technique of mosaic with tumbled glass.

1. MOSAICS
The image on the right is about 24 inches high and it was the first anthropomorphous mosaic piece. This was a totally new experience of combining traditional technique of little tesserae with larger irregular pieces of tumbled glass, but I feel that it helps to enhance the power of the image. This work itself brought me a bunch of discoveries about art principles in general. and it did not come out exactly what I expected, but it taught me a lot of new skills and drills.

The process itself – dealing with pure colors, textures, and rhythm is incredibly inspiring and we hope to continue sharing it at our website and a designated Mosaic Instagram account. The research is continued and there I am sure that the next one will be better.

2. TEXTILES
Now it is 10 years since Olga started volunteering at our parish embroidery studio. She was invited to make drawings and to set up the integrity of the vestments, choosing appropriate fabrics, threads, stitches, and other details. After drawing, projecting and planning several vestments Olga decided to make some herself, applying a wide range of printing techniques on traditional hand-made fabric. The image on the right is a pair of orthodox banners (Khorugvi) with the central part made by Olga and frame with hanging parts produced by Yaroslav Starodubtsev’s team.

Inspired by immense possibilities Olga continues to work on other projects, similar and larger. If you wish to keep an eye on the process, it may be a reason to subscribe – the photos are posted as the work goes on.

P.S. If you feel your church or home might need a liturgical image on fabric or a mosaic, commissions are accepted with a great pleasure 😉

Advanced Icon WorkshopIcon — Advanced Icon Workshop

3. PHOTOGRAPHS OF THE WORKSHOPS
In August – September we have had 4 workshops: 1 in Italy and 3 the US. It’s been a challenge to set up so many different programs and to make so many trips, – but (glory to Our Lord!), all went well.

Now it’s time to choose new models for the new workshops for the next year. It’s very likely that we are going to have some iconography workshops in different locations and a new thing -a true fresco workshop in Wesley Seminary in June 2019. Planning is a hard and a long work, but we promise, – as soon as we have any news we will share them.

In the meantime, 2 of the 3 of our announced workshops in Melbourne (Australia) are full, and there are only a few spots left for the last one, which is dedicated to assist gilding.

4. COLOR CHARTS
As promised, I visited the Kremer store in NYC and finally publish a color chart, – scanned from my own album of charts. I hope to publish more next time and make a kind of a palette eventually, but now I only share our favorite colors, – the most complex and rich. Yes, these are the colors we used and mentioned at all of our workshops earlier this year. These pigments for us are the most interesting now because they contain shades of different colors and therefore wonderfully “complete” other possible colors used in the image.

In CAPITAL letters I wrote the number (if any) and the name of the brand, and below – “commercial names” of the pigments.
I checked the names with online catalogs of KREMER , KREIDEZEIT and ZECCHI, and I was really happy to discover both Verdaccios – it’s on the list again!

5. BIBLIOGRAPHY FOR ICONOGRAPHERS
It’s been a while we promised to publish a Bibliography for iconographers. It was still January when we received two lists from two very dedicated iconographers, who’s names I should probably not list for the reason of privacy. Since that time I always wanted to take my time to review and make a long list myself, but – yet did not make it. Well, let’s make it a “collective mind” project, – like the “Manual“, which is made together as well.

Therefore I hope, that this current version of Bibliography (available at http://sacredmurals.com/texts/bibliography.pdf ) can be taken as a little base for an extensive development.
We invite you and all our subscribers to share with us the titles of your most favorite books so we add them and share with everybody. Please consider, that these should be most decent and serious studies, as well as uncomplicated and well reasoned original books. They should help people to enter the world of Christian iconography and to see right benchmarks and values right from their very first steps.
We also plan this to be a hub for professionals to share and obtain information about the best texts, helping to understand their work in a deeper way.

6. ILLUMINATED MANUSCRIPT
As you probably know, I love sharing resources. This time it’s a IX century English manuscript, known as “Harley Golden Gospels”, digitized in British Library. Click the link: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Harley_MS_2788 , click the “empty page” and use little arrows on the top right to navigate. Hope you find something for inspiration!

Wishing everybody lots of creative energy and time for it!,

With warmest regards,
Philip (and Olga)

July 2018

Dear Friends,
Life is running fast and we feel honored to share a great news:

We are glad to announce an official Partnership with Pontifex University. From now on each of our workshops can count as a credit toward Master of Sacred Arts degree. You can see a short description at our website: http://sacredmurals.com/pontifex_university.htm . The proposal came from one of our students, who had already had an experience with them, so we decided to try. If you want to know more, please check directly the website of Pontifex University, we hope that a possibility to have knowledge and skills officially confirmed might be a good one
Icon drawing workshop

Our Icon Drawing workshop Holy in Cross Monastery is not filled up yet, – there are still some available spots (unlike the one in The New Skete with a couple of people on waiting list). We have had this program in Melbourne and it worked wonderfully, – by the end of the 5th day, everybody gained much better drawing ability, including the instructors. And one more time everybody approved, that even if drawing is a difficult part, one can enjoy painting much more, having set up a good construction.
Olga’s had extremely intense months doing her graphic work, so, that in several weeks we expect images to be published. It is going to be a wall calendar, approximately 40 * 30 cm (16 * 12 inches) and we hope to have some copies to share.

Social Media: On!
– As Olga continues running our main Instagram and it has become a good entertainment. Lately, we decided to incorporate it into our website so that everybody might see the latest updates at the left-bottom coner.

Besides, in October we plan to create a special page for mosaics on our website. To start spreading the word about it we decided to begin publishing little images in a separate instagram page run by Philip.

Five new icons and a mosaic piece by Philip Davydov:

Annunciation icon

Icon of Holy Mandylion

More – later!

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With warmest regards,

Philip Davydov and Olga Shalamova

November 2016

Dear Friends,
So good to stay in one place!
No special events, no serious trips, just work!

In these three months we’ve been working in four different directions: – mosaics, iconography, some images on watercolor paper and copper. Besides, Olga dedicated some “free time” to purify some Lapis Lazzuli by recipe of Cennino Cennini (See the bottom of the page for a link to a good article about this fabulous substance).

And now…. almost time for the images 🙂 (Even though some will remain unpublished for a while)! But first – some practical workshop info.

AUSTRALIA – For those who registered for our 2 workshops in Melbourne: please, let us know if your circumstances change. We have some people on waiting lists and if you cancel before the 1-st of December we will be happy to make a full refund.

USA We finally announce our Advanced Icon Painting Workshop for June 2017 in the USA, – it’s Gage Academy of Art again (Seattle WA) and registration has already began: http://www.sacredmurals.com/icon-writing-course-seattle-wa.htm. Please, note, we have 10% discount for returning students! And make sure to let us know if you have any questions!

IMAGES!
First – most monumental ones: – in September we continued our work in St. Leonid church in Saint Petersburg region and covered altar table with tumbled glass mosaics: http://sacredmurals.com/mosaics-saint-leonid…

We used the same type of tumbled glass as on the wall, but this time we put tiles closer to each other to make surface more consistent. The colors and tones instead are more muted. The goal was to underline a special meaning of altar table in the church space, but not to make it too bright.
We have to be very careful about existing visual balance of the interior, bringing every new component in harmony with the image of the Mother of God and with the peacocks in the altar apse.

The next two steps should be the Royal and Diakonicon gates and the two main icons on both sides of the altar. We hope and pray God that the work in this church may be continued and brought to a harmonious but powerful result. This little church interior may become a great place for services and prayers in inner peace.

ICONS:
Just yesterday we discovered, that one of Olga’s icons has many times been exhibited but never published at the website. Here it finally is, – the Transfiguration, painted by Olga Shalamova in 2012:

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Philip’s icons are put in chronological order. The Nativity of Christ was painted last summer. As you see, the background is a kind of a blueish-grey, and the main color of the mountains has a similar hue, so somehow naturally we started to call this icon a “Winter Nativity”. We are sure most of our correspondents can easily identify it’s main model, but since the actual image is realized in a different technique and it is almost a meter high, Philip decided to make it in a more detailed way. By the way, we’ve uploaded it to “FineArtAmerica“, so, hope you might consider it as an option for your Christmas cards:

A 82 cm (33 inches high) Crucifix, commissioned almost two years ago by a little parish of prisoners in Perm’ region of Russia:

Icon Harrowing of Hell was made to have one more chance to “speak” about the Redemption. The previous version was good, but the new one is hopefully more powerful.

And the last image we present this time is icon of Annunciation. And also in this time it is a version of a “Blue Annunciation”, but this time Philip used some local mineral fluorite , which brought up such a wonderful color.

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This seems to be all for the moment, – yet no new conferences or exhibitions to share.

Thank you very time for your time and your interest to our Newsletter!
We look forward to publish more special things in the Christmas Issue……… 🙂

With warmest regards,
Philip Davydov and Olga Shalamova

P.S. An article about lapis lazzuli by renowned authority David Margulies