Iconography Seminar – Sacred Murals Studio Newsletters

Nearly Finished!

Dear Friends, did you ever wonder, why exactly 24? Why we only have 24 hours in one day/night session?

Icons for iconostasis of church of saint Panthaleone in Saint Petersburg

There are so many things to do and so little time! We often discuss, that the more we live, the more we see ways for applying the creativity, but where to get enough time for everything!

Well, the experience says: serious things take time. And now we both are stack in big projects, eagerly awaiting to finish and share the results with you… And yet there are some more efforts to make, – some more days and hours in the studio…

In addition to being stack in the art, we also have some “digital stress”: – Google keeps saying we need to remodel our website and make it more accessible.

Printing on Fabric. Epitaphios for Orthodox church of Mary Magdalene in NYC

Yes, we agree that it’s very high time, to make it mobile-friendly, and we also want to change the gallery so it allows seeing images in larger sizes. It’s a long process as well, but within some months we do hope to launch the new design, – we will keep you posted!

Well, complaining about the time we absolutely must mention, how deeply we both are grateful for all the help we receive from you! We just constantly feel kindness and friendship, radiating from you and other people around us. With your help we continue making our efforts and researches in our own work and teaching others.

As some of you may have noticed from our Instagram photos, it’s almost a year now that Olga is in the process of creating a liturgical Epitaphios. It’s a traditional liturgical object, usually made of embroidered and often richly adorned cloth.

For a number of years now Olga from time to time helps to design and craft liturgical vestments in our parish embroidery studio. At a certain point, she got inspired to do something on her own, introducing contemporary technologies into this very special world. Instead of golden threads and embroidery, used for centuries, Olga uses pochoir and other techniques to achieve the necessary level of complexity and richness of the image with artistic means. This photograph shows one of the moments of the working process, there is also a slow-motion video, but if you like to see the action, have a look at a time-lapse video, – it squeezes some working hours into one minute.

Manuscript Barb.gr.372 from Library of Vatican

We hope that in August the whole thing will finally come together and will finally reveal everything.

In the meantime, I wanted to share some other news and resources from our friends. First, – Todor Mitrovic gave us a couple of wonderful manuscripts. One was published by the Vatican Library and the other one by the British Library.

***

And at the bottom of the page here is some space to get little more grounded. As always we are gladly sharing our friend’s and our own practical information.

First: Our dear friend Margaret Broadbent and her Russian connection Natalia Pecherskaja invite everybody to join their “Pilgrimage of Peace” for August 3-15 August, 2020.

The 13-day program in MOSCOW – TVER – GREAT NOVGOROD – St. PETERSBURG and all the events are organized by the Centre for Science, Religion & Philosophy Programs (SRPh) St. Petersburg, Russia http://www.srph.ru together with the Gippsland Travel, Warragul, Victoria, Australia, www.gippslandtravel.com.au. The Program will be in English.

in this Russian Summer Program – please contact Russian program co-ordinator: Dr. Natalia Pecherskaya: natalia.pecherskaya@gmail.com or Australian co-ordinator Sr. Margaret Broadbent margaret.broadbent@ mercy.org.au , if you are interested.

And at the very end, I wanted to mention, that our workshops in Italy, the USA and Australia for 2019-2020 are filling up. From our side we continue discussing and preparing several new lectures on theology and practical moments, and if you ever thought of signing up for something it might be the time (maybe not?).

We used to make flyers with some brief information and ask our friends to share the printed versions, but we do not know, whether they work or they do not. Maybe yet they do, even though the whole world is digitized, we still trust more to a paper page, instead of a screen? Maybe we should think of both since there are more and more people now relying on internet?

Here it is: to show what our workshops process looks like we put together a little video footage on youtube, hope it gives an idea:

Thank you again for supporting us and for letters with questions, – they always inspire us to study and discover something new.

As one of our Russian iconographers-friends (Andrei Bodko) said, –

Nowadays, with all the light-fast means of spreading the information, we all teach each other, do we want it or not. All together we are a “soup” for each other… We all are a broth or a “bouillon” of knowledge, ideas, thoughts, and other things, enriching each other.

And if we already stay connected, I suggest we pray for a “Worldwide Community of Iconographers”, asking God’s help to be good enough to inspire our neighbors!

***

To be continued…

Philip (and Olga)

Australia Rules!

Dear Friend,
We have some workshop announcements but … I can’t help it!

First I shall praise our colleagues and friends Australian iconographers! It’s an unbelievable coincidence, to have so many events in a row, but they are all the fruit of much long and hard work. CONGRATULATIONS! And here are the reasons for such praise (in the chronological order the news reached us):

A Celebration of Living Light. Exhebition and a Reception

First: an Exhibition and Reception “A Celebration of Living Light” at the Mercy Mission, Spirituality and Action Hub in North Carlton, Victoria. The exhibition was attended by a large number of Sisters and guests. The work of four Australian iconographers: Margaret Broadbent RSM Margaret McHugh RSM, Pauline Pervan RSM and Mrs Alice Vaughan.

We know that it took a very long time to get everything ready, but we are happy to hear that all went well. The photographs and a video are available here.

Icon exhibition Images of the Divine in Canberra. Sue Orchison (in red) who organised things, Richard Charlwood and Apostolic Nuncio, Most Reverend Adolfo Tito Yllana. — **Icon exhibition in Canberra. Sue Orchison Richard Charlwood and Apostolic Nuncio, Most Reverend Adolfo Tito Yllana.**

Second: About 80 people attended the opening, and several hundred guests in total saw The Images of the Divine, an exhibition organized by Sue Orchison displaying the work of 17 iconographers. 70 icons were produced and shown at the administration centre of the Archdiocese of Canberra and Goulburn, Australia. Some photographs from the opening are available on Sue’s Facebook Page, and her speech can be seen and read on her website: https://www.thelittlegate.com/

We are very happy and proud of our friends and students’ progress. Olga and I both appreciate and know how hard it is to progress and move forward so successfully!

Eastern Iconography in the contemporary Protestant West

Third: this news is less visual and rather verbal. However, we consider it may have great importance for all of us, especially in the long run.

This morning I received a letter arrived from Peter Blackwood, Australia. He was invited to a conference where he gave a lecture: Eastern Iconography in the Contemporary West. Peter kindly agreed for us to share the text of his speech on our website. It has been added to our text collection and we hope you will gain some important insights and knowledge from it.

Fourth: future workshops

The first ones will be in Italy. Continuing on from last year’s “Corso di Perfezionamento” there will be two courses at the beginning of September. The first one is for those who have professionally worked in iconography for a number of years, and the second one is for other students who have just started on their journey in iconography.

It’s been almost 20 years since I last went to Italy as my father’s workshop interpreter and assistant, and it came around again! Last year I was contacted by some of his students who want to continue their education. I attempted it last year as a special challenge – to figure out the most crucial problems, and share the solutions with the “veterans”, who know almost everything. But what inspires me is that, even though they are so experienced, they are still open and still want to learn!

The US workshops are steadily filling up, and it looks like we are going to have both groups in September. At the New Skete (with the icon of “Angel with Golden Hair” as the chosen image) and at the Holy Cross Monastery in West Park, where we will continue a series of lectures on icon drawing.

At last, but not least, finally … so late, what a shame!! we can announce our January workshops in Melbourne!

Icon of Our Lady Igorevskaya for Icon Painting Workshop

We are really sorry for the delay. However, it took us a while to figure out what should be taught to people, who organize their exhibitions and lead their own icon schools all over Australia!

After discussing possible topics, and trying to find the answer for months, here it is:

The first one (as always) will be open to everyone. The chosen image is the icon of the Mother of God “Igorevskaya”. This means that students will have to study and paint two large faces, but we feel this is doable.

Model for Icon Painting Workshop Image of Crucifix

The second will actually be a double one. It is has been chosen for those students who have previously painted icons.

We have to confess, it’s for the first time ever that we have decided to make a workshop as a two-session series with one model, and we are very excited about this.

We will use an image of the Crucifix for painting an icon of the Crucified Christ without other figures. However, both sessions are planned to include many studies and research results, so we are sure it will be a fruitful time.

The plan is to work seriously, i.e. with lots of investigations and routine discoveries, so that the whole workshop could be experienced as a real immersion in a professional iconographer’s work. Please share this opportunity with others you may know who would like to join us.

The gessoed boards for the workshop icons will be made in the form of a cross. We have planned this so that these icons, when they are finished and varnished, can be used for church or personal veneration. We believe it will be a valuable practice and inspiration for everybody.

**************

To finish all the practical news, we will only share one tumbled stone and glass mosaic image as our fresh “production”. It’s a small section of a future iconostasis decoration by Philip Davydov. Other images are still in the planning stages.

Olga and I are both immersed in extensive projects which should be finished within several weeks or a couple of months.

Thank you very much for being our valued subscribers!

With warmest regards,
Philip Davydov and Olga Shalamova

Pics from Cappadocia +

I. The only word I can use – Blessing, that’s what it was! – Our friend Sergei Shikhachevsky invited us with his other friends to join a guided tour to see painted cave churches of Cappadocia. Sergei Shikhachevsky had already visited this blessed country 7 times) and wanted to make one more trip to gather some more materials for a book (hopefully it will be published soon).

In these blessed 9 days we have seen a lot and now step by step we start publishing photos. Here is the first one, – Haçlı Kilise (Church of the Cross) in Güllü Dere (Rose Valley near Cavusin). It’s a cave church, like most old churches of Cappadocia. And with the most powerful impressions to share, – how our medieval colleagues approached their work. They start from spots and shapes, not lines, – covering certain areas with local colors our colleagues added details later. They did not “hang” their images on perfectly studied drawings, they preferred their figures to be born from interaction with the wall and each other. Figures, ground and secondary elements are all bound together so fluently and smoothly, that these murals look like as if they were native to walls.
It’s already our second visit, the previous one was great too, – -we had published photos of Ağaç Altı Kilise then: https://www.flickr.com/

Icon Writing Workshop

II. Workshops in Melbourne – finally launched:
We start with the one for everyone:
1. “How to Work from Models: Byzantine and Romanesque“.
And two advanced workshops for iconographers with certain experience:
2. Full Figure Drawing
3. Assist Gilding

We tried to give an extended description on our website, but feel free to ask if you have any questions!

III. Latest icons by Philip Davydov (all about letter format):

Icon of Christ	Icon of Christ with golden hair
Icon of Holy Mandylion	Icon of the Mother of God

***

To be continued!,

P.S. As always we like hearing from you!, – Especially your inquiries regarding our work and the workshops!

With warmest regards,
Philip and Olga

P.P.S. A couple of bonuses, – lately discovered collection of frescoes, some of them we have never seen published before: https://yadi.sk/a/dFn2lgyb3VyBbz

And a video about famous Codex from Rossano – such a joy:

Christ is Risen!

Christ is Risen! He is Risen Indeed!

With all the sad news and issues we face, we need to move on and do what we have to do.
May Our Lord help us to find what to do to bring Kingdom of God to the world!

***

This time we have only 4 news.

Reflections on the Dome Mosaics of St. Sava’s Cathedral in Belgrade

First, – we should mention a special event, widely discussed in the Orthodox world: – dome mosaics of St. Saba cathedral in Belgrade have been completed. The project is announced as stunning and genius one, especially because of it’s enormous size and amount of work.

We have to admit that unfortunately this meticulous work can’t be considered serious artwork firstly because of the fact, that the composition itself and because 16 of 20 figures are simply enlarged copies from St. Marc cathedral in Venice. Besides, there are some composition errors, like an angel standing “on halo” of the Mother of God and lettering on the halo of Christ. In order to give more grounded and extended information, we are happy to share an article, written by our friend Sergei Brun and published on our website: http://sacredmurals.com/texts/dome_of_barrenness.htm

Second: Lately, Olga has been working with printing on fabric, we did not publish these images on our website yet, but we are happy to share the first results on our Instagram and in this Newsletter. Instagram indeed appeared to be a nice tool for instant information sharing, and especially good for photos of the working process. Please, subscribe if you use it: https://www.instagram.com/sacredmurals/

Third: Our workshop in Italy is scheduled for 3-7 September 2018 and we have already some people registered. Since Italy has a long tradition of the revival of iconography in XX – XXI centuries we have made a complex and intense program for professionals to break their patterns. The workshop will be taught in Italian, so, if you feel it’s a language you know – have a look at the program and see, if you are interested:
http://sacredmurals.com/iconography_courses_workshops.htm

And the last point as always, – this time it’s only one image, – Icon of Saint Patrick by Philip Davydov, – the one, which currently participates the “Undivided Saints” project:

Contemporary icon St Patrick — Icon of St Patrick

To be continued…

With warmest regards,
Philip & Olga

Tons of Models + Workshops

Dear Friend,

Thank you for being our subscriber! We value your time and do our best to publish only most essential news and valuable information. This time we are happy to share some archives of models for icons, finally launch our workshops in Melbourne and publish two icons by Olga Shalamova.

It’s always a great pleasure to share good things and we decided to start sharing our models for icons: http://sacredmurals.com/more_images/_icons_from_mount_sinai.html . Largest number of icons was downloaded by our friend from Princeton University website: http://vrc.princeton.edu/sinai/, but there are also other albums as well. And the new feature is following, – you don’t have to click hundreds of images one-by-one, you can download entire archives and unzip them directly on your computer. Check the menu on the left side from the thumbnails and on the right side from the images, – hope you enjoy it.By the way, – always forget to mention! – All large size album images on our website are clickable, – image works like “NEXT” button when you click it.
It’s been an intense time here and it’s only now we are launching our program for our workshops in Melbourne! Sorry for being late, but this time the task seemed so hard, – we wanted to produce a brand new series of workshops, dedicated to drawing and we made it!
Iconography Drawing Workshop Models

The first workshop practically is made entirely to train drawing, from point of view of theory it will include a series of brand new lectures. The second one is more focused and made for more advanced level students. We also do lots of drawing (mostly different types of garments), but at the end we should come out with a drawings of different half figures and one almost finished image of Saint Anastasia. Please click here to see the details and descriptions >>
A little Icon of Christ

It’s a shame have so few new images, but that’s how it is. Researching for new means and ways is a hard and exhausting work, it takes time and efforts, but it keeps us alive and helps moving forward! This time we only can share two icons by Olga, hoping that more images to come in June.

This Last Supper took more then 2 months to complete. As additional note – the one, which we published in previous Newsletter functioned as one of the sketches for this one, and I think it worked well 🙂 Board size is 56 X 99 cm (about 23 X 40 inches), and it’s done in egg tempera.

Icon the Last Supper
The last but not least, – sometimes we all need promotion! So, we are happy to promote our friend’s work and this time it’s father Justin Mcdonnell, who makes icon boards in Melbourne (Australia). Here he comes:**********
Traditional gessoed icon boards

“Fr Justin McDonnell-based in Melbourne, Australia.

frjustinmcdonnell@gmail.com

0402-324-694.

“Constructed from best quality sustainably/ethically sourced local timbers. All joinery is done by hand using solid timber. Flat or kovcheg, with support struts in the back of the board as required. Boards can be of any size, large or small. Fr Justin is a fully qualified cabinet maker and has worked in a variety of timer related areas-furniture making, wood carving, and is a qualified pipe organ builder. He and his wife, Pani Matushka Lydia, are both dedicated to manufacturing and supplying icon boards of the finest quality to our local iconographic community. We use locally grown timbers and have tried to adapt this ancient craft to the unique conditions present in Australia. We would be very glad to receive your enquiry for any icon board requirements”.

Thank you again for your time and please let us know if you have any questions or comments!

With war,est regards,
Philip and Olga